Text, rhythm, melody, harmony, action, imagination
with David Anthony Vinden, Sue Anderson, Nicola Harrison and Alan Watson
Sunday 29th October, 2017
St Paul’s School for Girls
This year’s Autumn Conference brings together all of the component parts of song and vocal technique and promises to be an exciting day of activity provided by our panel of highly experienced presenters.
David Anthony Vinden: Kodály
David is Professor of Kodály at the Guildhall School of Music and Drama, London. Kodály has many applications in teaching singing – how can we use it best?
Sue Anderson: Accompaniment
Sue teaches singing, performs as a singer and has accompanied many times for AOTOS; she is author of Keyboard Skills for the Reluctant Pianist.
Many shy away from accompanying and Sue will guide us through the basics that help even the most challenged pianists as well as short cuts for the more advanced among us.
Many singers think of themselves as ‘failed pianists’, having struggled with the peculiar demands on the brain of two staves, two hands, with up-down and left-right orientation. When the focus of study is switched from pianistic repertoire and performance to melodic and harmonic exploration, students are free to gain essential physical skills and muscular co-ordination in a structured version of ‘messing around’ at the keyboard. Playing by ear, transposing, enriching and harmonising melodies and improvising form an integral part of learning the piano this way. Notation then links the melodic and harmonic shapes that the ears and hands already know well with the printed score.
Niamh McGuckin: Vitality and Narrative in Song – engaging students with text
NiamhMcGuckin trained in Musical Theatre & Acting at the Royal School of Speech and Drama, returning a few years later to gain her MA in Voice Studies. Since graduating, Niamh has been working freelance as a voice coach and as Head of Spoken Voice at the London College of Music.
Nicola Harrison & Alan Watson: Anatomy and imagination in effective singing teaching
Nicola and Alan have pioneered working with imagery, researching the most effective ways of linking the physical to the imagery in the teaching of singing to provide an effective tool.
The effective training of the singing voice involves the precise activation of numerous muscles in varying combinations to shape and support the sound. Many of these muscles are not under conscious control. The act of training the singing voice could be fancifully described as a mysterious alchemy of anatomy and imagination.
But how can we effectively train the muscles of singing to safely achieve the demands of repertoire? How can we access muscle that is not under conscious control? And how can we test that our imagery is having a positive effect on the development of the instrument?
Working in collaboration, Nicola and Alan will present some fascinating information from their work on brain, motor imagery and its application to the training of singers in a two-handed presentation that combines art, science and practical demonstration.
Registration will be from 10.30am and the last talk will end at 4.30pm, with time for questions afterwards. Lunch will be from 1pm to 2.30pm in the school’s cafeteria.
- The school is ten minutes’ walk from Hammersmith tube station (Piccadilly, District & Circle, and Metropolitan lines).
- On-street parking is free on Sundays in Brook Green.
- Step-free and wheelchair access is available.
Prices (including lunch and coffee)
- AOTOS members: £60
- Non-members: £80
- Full-time students: £25
How to pay
- To pay by debit card, credit card or Paypal, click below to fill in the form; you’ll then be taken to the Paypal site to complete payment (you don’t need a Paypal account).
- To pay by cheque or bank transfer, click below to fill in the form, send it, then email the Administrator, Beck Laxton, at firstname.lastname@example.org, for our bank details and the address to send cheques to.
The Norman Tattersall Bursary Fund exists for the purpose of offering financial help to members wishing to attend AOTOS national conferences and will be the equivalent of one day’s conference fee. To be considered for a bursary, please apply to the Secretary, Jan Spooner Swabey, at least four weeks before the conference, including a short paragraph outlining your reasons for applying. Applications are dealt with in confidence.